Will it sound like me or like an ad?

Like you. We write from how you actually talk — the first round usually comes after we've listened to you explain it once.

Can I change the words?

Please do. It's a floor, not a cage. Most people drift off-script by the third take and that's when it gets good.

Do you write in Chinese and English?

Both, written separately. A translated script sounds translated, and viewers can hear it.

I know what to film. I just freeze when the camera's on.

We write the words. You read them out. No memorising, no staring at the camera wondering how to start.

This might be you

You spend ages working out how to open
You wander off-topic and the edit becomes painful
The first three seconds don't hold anyone and the views die there
You know the topic but freeze once recording starts

What you get

A word-for-word script, including the first-three-seconds hook
Pauses and emphasis marked so it doesn't sound read
A closing call to action on every one
Variants for different lengths, same message

A real situation

A café owner knew exactly why his beans were different but froze on camera every time. With a script in front of him, one take was usable. He now films eight in an afternoon.

Common questions

Will it sound like me or like an ad?: Like you. We write from how you actually talk — the first round usually comes after we've listened to you explain it once.
Can I change the words?: Please do. It's a floor, not a cage. Most people drift off-script by the third take and that's when it gets good.
Do you write in Chinese and English?: Both, written separately. A translated script sounds translated, and viewers can hear it.

Scripts

Everything else is quoted after we look. I do not price a system I have not seen.

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